Heroes Verdict: Meh

Not too long ago, I said “Heroes has replaced LOST as my #1, mostly because the plot advances comfortably.” I’ve blogged about Heroes in the past, too. But now, comfortably into the realm of the show, I can safely say that Heroes is the poor man’s sci-fi. Heroes is ill-thought out from the get go. As my friend Eugenia has said before, the writers made the Heroes too powerful up front, and as a result, the storylines are seeking to limit them where possible, and just flat out ignoring them at worst.

Firstly, Peter, Sylar, and Parkman’s dad, at a minimum are all extremely powerful, yet none of them really “use” their powers, even when it would make sense.  Sylar, for example, didn’t hear something whispered just 20 yards from him, yet it was explained in season 1 that he had super-hearing. Hiro makes the dumbest mistakes in the world, and doesn’t use his power to fix them (like going back in time to just not open the safe, or better yet, putting a fake version in his hand before Daphne swiped it.)

The entire story arc often feels like a bunch of ninth graders writing a “wouldn’t it be cool if” story, without really laying out the entire storyline.  Peter is impetuous and rarely thinks before acting – not in a realistic way, but in an “it’s a good plot device” kind of way.  Nathan’s family just… evaporated.  Hiro digs up Adam Monroe rather than just zapping him out of the coffin, which, by the way, is how he got him in there.

The truth is, the massive cast, which includes useless Mohinder, pointless Maya,  and  wants-to-be-interesting-but-just-isn’t Parkman needs to be trimmed down.  And why ignore cool characters like The Haitian? The last truly great episode was “Company Man” in season 1.

Although I’ll still watch it for now, Heroes is just, sadly, not that good of a serialized drama.

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